SPL Director MKII Black | DAC And Preamp

Cena 419.880,00 din. PPC: 442.200,00 din. (-5%)
Raspoloživo na zahtev Na stanju u:
Dodaj u listu želja

Director MKII je referentno pretpojačalo i digitalno-analogni konverter. To je prvi visokonaponski DAC u audio svetu: pretvoreni analogni signal direktno se procesuira u čuvenoj SPL-ovoj VOLTAiR tehnologiji. Budući da je Director srce vašeg stereo sistema, moguće je priključiti razne izvore zvuka na njega. Analogni izvori se povezuju preko balansiranih XLR ili RCA priključaka (npr. Pretpojačalo Phonos) ili digitalno putem USB-a (PCM do 384kHz i DSD do dvostruke brzine), kao i koaksijalnim, optičkim ili AES priključkom.

0 Komentara

Ostavite Vaš komentar

OPIS PROIZVODA

The Director Mk2 is the derivative of our reference preamplifier Director:
 
The all new high voltage digital to analog converter now supports 32 bit and sample rates up to 768kHz as well as DSD4.
Fans of analog tape machines or external audio processing can insert their beloved gear in the Tape Monitor loop.
Now there is a total of six analog inputs. Two of which are balanced with XLR connectors.
The housing has grown in height to provide space for the big aluminum volume control with marker LED and two mechanical VU meters.
 
Director Mk2 is the heart of the stereo system to which all components are being connected:
Computer, player, phono preamp like the Phonos, headphone amps like the Phonitor xe or the Phonitor e and power amplifiers like the Performer s800 or Performer m1000 or active loudspeakers instead.
 
Preamplifier
Director Mk2 is a full-fledged stereo preamplifier for connecting up to ten stereo input sources.
Six of which are in the analog domain offering two balanced XLR and four RCA stereo inputs.
Four inputs are in the digital domain: AES/EBU, USB, COAX, OPTICAL.
Power amplifiers or active loudspeakers are connected via balanced XLRs and a headphone amplifier is connected to the Direct Out.
 
Volume
Volume is controlled strictly in the analog domain – for good reason.
Commonly volume is set in the digital domain as part of a DAC chip's functionality. The down side is that the full bit resolution is only present at maximum playback volume.
But we never listen with the preamp' volume turned up fully clockwise. As a result we always listen at a lower bit resolution and therefore with a diminished audio fidelity. An average listening level is about 30dB below maximum (0dBfs) and as the resolution shrinks by 1 bit per 6dB level drop the playback will have a 5dB lesser resolution.
It makes not a lot of sense to listen to high res audio then, does it?
Therefore we opted for an analog solution that gives you full bit resolution at all listening levels.
To control the 120V rail VOLTAiR volume stage we use an ALPS RK27 "Big Blue" potentiometer with excellent feeling and channel matching.
Being motorized Volume can be remotely controlled. Please refer to the chapter "Remote Control" for more information.
 
Sources
The rotary switch selects the input source, which is then shown in the dot matrix display: IN 1 to IN 6 for the analog inputs and AES/EBU, USB, COAX, OPTICAL for the digital inputs.
The detected sample rate of the selected digital input is displayed after about 2sec. (e.g. U768 = USB input, 768kHz sample rate).
The input source selection can also be remotely controlled when the selector is set to "Remote". Please refer to the chapter "Remote Control" for more information.
 
Uber-DAC769 with DLP120
We have been looking at many DAC designs and we have always wondered why all the innovation happens on the digital side. Almost no innovation is to be found on the analog part for the DAC. Maybe that is because most designers have a background in digital engineering and as a result they apply standard 'cook book' designs on the analog side.
We, having a 30+ year background in analog audio designs, find cook book circuitries boring, inefficient and far from being superb. As already proven with the DAC in the predecessor we put innovation into the analog side of the DAC with astonishing results.
The output of the DAC chip is to be filtered with a low pass filter. This stage is typically designed with the same reference voltage that the DAC chip works on e.g. 5V. Think about this: the first stage that the analog waveform is exposed to has a headroom limited this tiny voltage. Now imagine this to be 120V! This is what we have done in the Director and of course in the Mk2.
The mandatory lowpass filter is built in 120V-VOLTAiR technology. The DAC768 features the new DLP120 lowpass filter board that contains two separate lowpass filters. Depending on the digital format the analg signals runs through the PCM or der the DSD filter.
The incredible headroom and the enormous dynamic range lets the analog wavefront come to life and evolve without any limitation. And that is audible. Very much so.
 

Specs:

Analogni Stereo ulazi

  • 2 x RCA, unbalanced (single ended)
  • Impedance: ca. 10 kohms
  • Max. input level: +32,5 dBu

Digitalni ulazi

  • AES/EBU (XLR), balanced
  • Coaxial SPDIF (RCA)
  • Optical TOSLINK (F06)
  • USB (B)
  • 0 dBFS = max. 24 dBu
  • Converter Chip AD1955

Frekvencije uzorkovanja:

  • Encoded PCM (kHz): 44.1, 48 , 88.2, 96, 176.4, 192, 352.8, 384
  • DSD: DSD1 (DSD64), DSD2 (DSD128)

Izlazi

  • 2 analog stereo outputs
  • Neutrik XLR, balanced, Pin 2 = (+)
  • RCA, unbalanced (single ended)
  • Impedance: ca. 1 ohm (unbalanced), 75 ohms (balanced)
  • max. output level 32,5 dBu

Merenja

  • Frequency range (analog): 4 Hz to 300 kHz ( -3 dB)
  • Crosstalk at 1 kHz: -95 dB (analog); -100 dB (digital)
  • THD: 0.0008 % (analog 0 dBu); 0.0004 % (digital -1 dBfs)
  • Noise (A-weighted): -105.1 dB (analog); -96.8 dB (digital)
  • Dynamic range: 137.6 dB (analog); 120.8 dB (digital)

Interna struja

  • Analog: +/- 60 V
  • Digital: + 5 V and + 3.3 V

Napajanje

  • Mains voltage (switchable): 230 V AC / 50 Hz or 115 V AC / 60 Hz
  • Fuses: 230 V: T 500 mA; 115 V: T 1 A
  • Power consumption: max. 40 VA
  • Standby power consumption: 0.7 W

Dimenzije

  • 278 mm W x 57 mm H x 330 mm D
  • 10.95 in W x 2.24 in H x 13 in D

Težina

  • 3.3 kg; 7.28 lbs (unit only)
  • 4.4 kg; 9.7 lbs (shipping)

 

Pritiskom na dugme “Potvrdite”
obavezni ste na kupovinu artikla ukoliko Vaša ponuda bude najveća.

Artikal:
Aktuelna ponuda:
Vaša ponuda:

U slučaju odustajanja od kupovine Audio Pro Artist d.o.o. zadržava pravo potraživanja sredstava od strane kupca (po potrebi i sudskim putem)

Komentari kupaca

Behringer Foot Controller FCV100

Zoran Jerotijevic

Neprevazidjena pedala za skromne pare

Behringer Xenyx 302USB

Dragan Radojevic

Hi, does it have 48v power ?

IK Multimedia iLoud Micro Monitor White

Igor Nedeljković

Koliko novca!?

Behringer Headphones HPM1000

Aleksandar Pavkov

Postovani, cena dostave paketa putem PostExpress kurirske sluzbe sa otkupom iznosi? Hvala na odgovoru. Sve najbolje zelim.

Behringer Power Supply PSU3-EU

Aleksandar Mandic

dali ovaj adapter (Behringer Power Supply PSU3-EU) moza za Behringer Xenyx 1002FX? Pozdrav.....

Modal SKULPT | Analog Synth

Nemanja Acimovic

Vrlo zgodan mali digitalni synth, naravno ne treba ocekivati ludilo od njega s obzirom da je ipak dosta jeftiniji od analognih , ali zaista koristan i upotrebljiv. Zvuci vrlo ubedljivo sirom celog frekfentnog spektra. Mene je posebno privukao real time seqvencing-om i arpeggiator-om. Trebace vam malo vremena da se naviknete na kontrole s obzirom da svako dugme pomocu SHIFT-a ima duplu funciju, ali nakon samo par dana ce te bez problema biti u potpunoj kontroli. Treba reci da je dosta lagan i prilicno plastican, ali to je predpostaljam kompromis koji je napravljen spram cene. Uz njega ide i ModalAPP ili VST3 koj vam daje potpunu kontrolu nad svim funkcijama u vasem DAW-u ili na recimo telefonu. Moja ocena je 4- Radujem se sledecem izdanju ModalElectronic-sa mladjem bratu Skulpt-a, CRAFT synth-u.....

Numark Mixtrack Platinum DJ controller

Nenad Djordjevic

Nenadmasiv odnos cene i kvaliteta u entry / intermediate klasi. Ako mislite da sam suvise subjektivan, proverite sta kazu ljudi po netu. #1 kontroler u svom rangu apsolutno svugde, a pristupacan apsolutno svima. Svestrane mogucnosti, kapacitivni touch jog wheels kakve u ovom cenovnom rangu verovatno ne mozete ni da zamislite, multi FX kontrole (touch strip super radi, meni licno na VDJ platformi odgovaraju mnogo vise nego klasicni knob-ovi), 100mm super precizni pitch faderi, instant 4 deck kontrole, brzi trigger-happy performance padovi, sve u svemu u jednom paketu bez trzisno planiranih nedostataka i za vynil i za electronica DJ-eve (kucne i pro, bez blama). Jedina mana mu je, po meni, Serato lite bundle, ali izbor softvera je vec licna stvar. Prezadovoljan sam, cak i sa 99$ dodatnim troskovima za VDJ licencu.

KRK Rokit RP5 G3

Jovan Badnjar

Sjajni monitori po najpovoljnijoj ceni u gradu. Prezadovoljan sam kupovinom, odusevila me je sjajna stereo slika i kvalitet visokotonaca na Rokit 5-ici. Bas je utegnut i precizan ide do 45Hz sto nije najbolje moguce ali ne mozete ocekivati od 5" jedinice da pruzi najdublji moguci bas. Ekipa u Audio pro ekstremno prijatna i ljubazna. Sve pohvale!!

Focusrite Scarlett 2i2 Studio (2nd Gen)

milan mladenovic

Audio interface je odlican! Super lako je raditi sa njim! Dobijas uz njega dosta dosta dobrih softwera..... Svaka topla preporuka!!!

Rode NT1-A Complete Vocal Recording Set

Ermin Aljicevic

Odličan mikrofon, jedva čekam da ga kupim kod vas.☺️

Artikl je dodat u korpu

Količina: