RME ADI-2 DAC Pro FS Black Edition | High-Performance 768 kHz AD/DA Converter

Cena 154.800,00 din. PPC: 191.880,00 din. (-19%)
Raspoloživo odmah Na stanju u: Maloprodaja BG
Količina:
dodaj u korpu Dodaj u listu želja

Poslednja generacija RME referentnog ADI-2 AD/DA konvertera sa "steady" FS clock tehnologijom i dva "high output" preampa za slušalice nam povodom jubileja stiže u limitiranoj, "Black Edition" seriji od samo 500 komada!

0 Komentara

Ostavite Vaš komentar

OPIS PROIZVODA

High-Performance 768 kHz 2-Channel ADAT.SPDIF.AES/EBU AD/DA converter
 
RME’s anniversary reference AD/DA converter is a host of devices all put together into one unit, with a simple and mostly automated way of using it right out of the box. A unit with the industry’s biggest footprint per feature ratio, excellent tech specs, crystal clear and transparent sound signature, and two extremely powerful headphone outputs.
The 'Black Edition', limited to 500 units, has a black front plate and does not support rack mounting.
 
RME's anniversary reference AD/DA converter is:
 
  • A high-end AD/DA converter in professional studio quality
  • A double headphone amplifier in true high-end quality
  • A USB DAC like no other - the most versatile and capable one
  • A high-end AD/DA frontend and headphone amp for iPad / iPhone
  • A multi-format converter (AES, SPDIF, ADAT) with monitoring function
  • A DSD record and playback solution
  • An AD/DA frontend for audio measurement at up to 768 kHz sample rate
 
As the most flexible converter available, the ADI-2 Pro offers balanced/unbalanced analog I/Os, double Extreme Power headphone outputs, SteadyClock FS, 4-stage hardware input and output level control, DSP-based signal processing, external power supply operation, Class Compliant USB compatibility, sample rates up to 768 kHz as well as DSD record and Direct DSD playback (256 / 11.2 MHz)
 
Analog or Digital - Options Galore
The ADI-2 Pro FS includes two servo-balanced analog inputs on combo XLR / TRS jacks, two separate balanced and unbalanced outputs on XLR and TS, two stereo Extreme Power headphone outputs on the front, an optical SPDIF I/O that also understands ADAT, and coaxial SPDIF (RCA) and AES I/O (XLR) via an included breakout cable. This universal set of I/O options offers superior quality and flexible connectivity to those who take a no-compromise approach to audio.
 
The USB 2.0 port is fully Class Compliant (UAC 2) for connection with compatible iOS devices, and is also used for firmware updates. Including an external switched power supply with lockable connector, the ADI-2 Pro can be easily powered from battery, opening up mobile applications as well as galvanically isolated use cases.
 
As a computer interface the ADI-2 Pro offers a stereo (2 in / 2 out) and a multichannel mode (6 in / 8 out). Compatibility with Mac OS X comes right out of the box. Under Windows the ADI-2 Pro uses RME's MADIface series driver, for full WDM and ASIO compatibility and highest performance.
 
Perfect Sound Capture and Reproduction
Aiming for the absolute reference sound, any detail in the ADI-2 Pro is special and has its own story. The main PCB is an extraordinary 10 layer design with custom copper thickness, guaranteeing finest undisturbed sound as well as ample but separated power for the phones outputs. Internal power supply stages and precise regulators use a super-low-noise design to not degrade performance through the power rails. Selected SoundPlus operational amplifiers maintain highest SNR, lowest THD and high slew rate under all conditions. The whole analog circuit design is fully symmetrical and balanced throughout - and DC-coupled. The only capacitors in the signal path perform DC protection at the analog input sockets, and have been carefully selected to avoid any sonic impact.
 
The 4-channel AD-converter, supporting 786 kHz sample rate and DSD recording, is used in a dual mono design, with 3 dB improved signal to noise ratio. Two premium DACs are used for two separate stereo outputs. Internal audio processing like EQs, Crossfeed and spectral analysis, is done by a high performance DSP with 2.17 Giga FLOPS (2882 MIPS), delivering enough computing power to work even at 768 kHz sample rate.
 
For easy operation a high quality Sample Rate Converter has been added, switchable to the AES or SPDIF input, solving any clocking problem between those. And RME’s latest SteadyClock FS technology ensures perfect jitter reduction and stable clocking, no matter if internal or external clocks are used.
 
High Resolution Display Operation
RME have incorporated many unique features, not found on any comparable devices, like 5-band parametric EQs for fully individual phones compensation, adjustable Bass/Treble controls with quick access, a binaural crossfeed function, adjustable loudness filter, selectable AD/DA filters, four discrete I/O reference levels, auto reference level setting, auto balanced phones mode, and many more. The display is not only used to control the unit, but also shows warning and guidance messages.
 
Professional features such as M/S Processing, stereo width and phase reversal up to full control and storage of all settings are included, as well as RME’s famous Spectral Analyzer, a 30-band biquad filtered analysis tool offering unprecedented musical visualization, perfectly complementing the high-resolution IPS display.
 
Extreme Power Headphone Outputs
There is no use in boasting about -110 dB THD, when such values are not available in real world operation - for example when a 32 ohm headphone is connected. RME's engineers therefore designed a new headphone output stage that brings the full performance of the premium DAC to the phone jack - even when using low impedance headphones. The Extreme Power design excels with 0.1 Ohm output impedance, a maximum output level of +22 dBu, and a maximum output power of 1.5 Watts - per channel! The two, fully separated stereo headphone outputs deliver the same 120 dBA SNR performance as the line outputs, for a full hum and noise free listening experience. THD is far below -100 dB (0.001%) even at full power, for the most clear and detailed soundstage possible. The Extreme Power design also incorporates current limiting, power surveillance, overload detection and DC protection. A low power mode and a high power mode are provided, for a perfect match from IEM up to planar.
 
Having two stereo outputs, balanced headphone operation is possible. As RME's engineers were not satisfied with the existing techniques they developed a new Advanced Balanced mode for the ADI-2 Pro, that removes most limitations of standard balanced operation, and turns this mode into a a fully new experience. The exclusive Advanced Balanced mode delivers a balanced signal path from the DAC straight to the phone, with 3 dB gain in Signal to Noise Ratio, smoothed out deviations in components, optimized frequency response, super low output impedance (0.2 Ohms), and a maximum output level of +28 (twenty eight) dBu.
 
The Reference Converter
The ADI-2 Pro is RME’s reference AD/DA converter, USB DAC, USB interface and headphone amp. It’s numerous use cases make it an ideal choice in many fields, from the home user appreciating innovative solutions offering highest sound quality, the studio owner asking for reference AD/DA conversion, the Hi-Fi enthusiast demanding a flexible yet high-end headphone amplifier, up to the industry using the portable device as front-end for measurement systems. 20 years of RME - cumulated into a precious unit, that once heard and used one will never give away. Promised.
 

Specs:

 
Analog Inputs
 
XLR
• Input: XLR, servo-balanced • Input sensitivity switchable +24 dBu, +19 dBu, +13 dBu, +4 dBu @ 0 dBFS
• Signal to Noise ratio (SNR) @ +13/19/24 dBu: 120.x dB RMS unweighted, 124.x dBA
• Signal to Noise ratio (SNR) @ +4 dBu: 119 dB RMS unweighted, 123 dBA
• Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.5 kHz
• Frequency response @ 96 kHz, -0.5 dB: 3 Hz – 45.5 kHz
• Frequency response @ 192 kHz, -1 dB: 2 Hz – 92.7 kHz
• Frequency response @ 384 kHz, -1 dB: < 1 Hz – 124 kHz
• Frequency response @ 768 kHz, -3 dB: < 1 Hz – 180 kHz
• THD @ -1 dBFS: -116 dB, 0.00016 %
• THD+N @ -1 dBFS: -112 dB, 0.00025 %
• Channel separation: > 110 dB
 
TRS
As input XLR, but:
• Input: 6.3 mm TRS jack, servo-balanced, fully compatible to TS and RCA
 
Analog Outputs
 
1/2 XLR
• Output level switchable +24 dBu, +19 dBu, +13 dBu, +4 dBu @ 0 dBFS
• Signal to Noise ratio (SNR) @ +13/19/24 dBu: 117 dB RMS unweighted, 120 dBA
• Signal to Noise ratio (SNR) @ +4 dBu: 115 dB RMS unweighted, 118 dBA
• Frequency response @ 44.1 kHz, -0.1 dB: 0 Hz – 20.2 kHz
• Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 44.9 kHz
• Frequency response @ 192 kHz, -1 dB: 0 Hz – 88 kHz
• THD @ -1 dBFS: -112 dB, 0.00025 %
• THD+N @ -1 dBFS: -110 dB, 0.00032 %
• THD @ -3 dBFS: -116 dB, 0.00016 %
• Channel separation: > 110 dB
• Output impedance: 200 Ohm balanced, 100 Ohm unbalanced
 
1/2 TS (rear)
As output XLR, but:
• Output: 6.3 mm TS jack, unbalanced
• Maximum output level: +19 dBu
• Signal to Noise ratio (SNR) @ +13/19 dBu: 117 dB RMS unweighted, 120 dBA
• Signal to Noise ratio (SNR) @ +4 dBu: 113 dB RMS unweighted, 117 dBA
• Output impedance: 100 Ohm
 
Phones 1/2
As Output 1/2 TS, but:
• Output: 6.3 mm TRS jack, unbalanced, stereo
• Output impedance: 0.1 Ohm
• Signal to Noise ratio (SNR) @ +22 dBu: 117 dB RMS unweighted, 120 dBA
• Signal to Noise ratio (SNR) @ +7 dBu: 114 dB RMS unweighted, 118 dBA
• Output level at 0 dBFS, Ref Level +19 dBu, load 100 Ohm or up: +22 dBu (10 V)
• Output level at 0 dBFS, Ref Level +4 dBu, load 8 Ohm or up: +7 dBu (1.73 V)
• THD @ +18 dBu, 32 Ohm load, 1.2 Watt: -110 dB, 0.0003 %
• THD+N @ + 18 dBu, 32 Ohm load: -107 dB, 0.00045 %
• THD @ +14 dBu, 16 Ohm load, 0.94 Watt: -110 dB
 
Output Phones 3/4
As Output Phones 1/2, but:
• Output levels at 0 dBFS: Hi-Power off +7 dBu, Hi-Power On +22 dBu
 
Balanced Phones mode
As before, but:
• Output levels at 0 dBFS: Hi-Power off +13 dBu (9.8 V), Hi-Power On +28 dBu (19.5 V)
• Output impedance: 0.2 Ohm
• Signal to Noise ratio (SNR) @ +28 dBu: 120 dB RMS unweighted, 123 dBA
• Signal to Noise ratio (SNR) @ +13 dBu: 118.4 dB RMS unweighted, 122 dBA
• Output level at 0 dBFS, Hi-Power On, load 150 Ohm or up: +28 dBu (19.5 V)
• Output level at 0 dBFS, Hi-Power Off, load 8 Ohm or up: +13 dBu (9.8 V)
• Max power @ 0.001% THD: 2.9 W per channel
 
Digital Inputs
 
General
• Lock Range: 28 kHz – 200 kHz
• Jitter suppression: > 50 dB (2.4 kHz)
 
AES/EBU
• 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992
• SPDIF compatible (IEC 60958)
 
SPDIF coaxial
• 1 x RCA, transformer-balanced, according to IEC 60958
• AES/EBU compatible (AES3-1992)
 
SPDIF optical
• 1 x optical, according to IEC 60958
• ADAT compatible
 
Digital Outputs
 
AES/EBU
• 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992
• Single Wire mode, sample rate 44 kHz up to 192 kHz
 
SPDIF coaxial
• 1 x RCA, according to IEC 60958
• Single Wire mode, sample rate 44 kHz up to 192 kHz
 
SPDIF optical
• 1 x optical, according to IEC 60958
• Sample rate 44 kHz up to 192 kHz
 
Digital
• Clocks: Internal, AES In, SPDIF In, ADAT In
• Jitter suppression of external clocks: > 50 dB (2.4 kHz)
• Supported sample rates for external clocks: 32 kHz up to 192 kHz
• Internal Clocks: 44.1 kHz up to 768 kHz
 
General
• Included power supply: external switching PSU, 100 - 240 V AC, 2 A, 24 Watts
• Standby power consumption: 50 mW
• Idle power consumption: 10 Watts, Max. power consumption: 22 Watts
• Idle current at 12 V: 850 mA (10 Watts)
• Dimensions (WxHxD): 215 x 44 x 130 mm (8.5" x 1.73" x 5.1")
 
Cena 155.880,00 din.
PPC: 185.520,00 din. ( -16% ) Raspoloživo odmah
dodaj u korpu

Pritiskom na dugme “Potvrdite”
obavezni ste na kupovinu artikla ukoliko Vaša ponuda bude najveća.

Artikal:
Aktuelna ponuda:
Vaša ponuda:

U slučaju odustajanja od kupovine Audio Pro Artist d.o.o. zadržava pravo potraživanja sredstava od strane kupca (po potrebi i sudskim putem)

Komentari kupaca

Behringer Foot Controller FCV100

Zoran Jerotijevic

Neprevazidjena pedala za skromne pare

Behringer Xenyx 302USB

Dragan Radojevic

Hi, does it have 48v power ?

IK Multimedia iLoud Micro Monitor White

Igor Nedeljković

Koliko novca!?

Behringer Headphones HPM1000

Aleksandar Pavkov

Postovani, cena dostave paketa putem PostExpress kurirske sluzbe sa otkupom iznosi? Hvala na odgovoru. Sve najbolje zelim.

Behringer Power Supply PSU3-EU

Aleksandar Mandic

dali ovaj adapter (Behringer Power Supply PSU3-EU) moza za Behringer Xenyx 1002FX? Pozdrav.....

Modal SKULPT | Analog Synth

Nemanja Acimovic

Vrlo zgodan mali digitalni synth, naravno ne treba ocekivati ludilo od njega s obzirom da je ipak dosta jeftiniji od analognih , ali zaista koristan i upotrebljiv. Zvuci vrlo ubedljivo sirom celog frekfentnog spektra. Mene je posebno privukao real time seqvencing-om i arpeggiator-om. Trebace vam malo vremena da se naviknete na kontrole s obzirom da svako dugme pomocu SHIFT-a ima duplu funciju, ali nakon samo par dana ce te bez problema biti u potpunoj kontroli. Treba reci da je dosta lagan i prilicno plastican, ali to je predpostaljam kompromis koji je napravljen spram cene. Uz njega ide i ModalAPP ili VST3 koj vam daje potpunu kontrolu nad svim funkcijama u vasem DAW-u ili na recimo telefonu. Moja ocena je 4- Radujem se sledecem izdanju ModalElectronic-sa mladjem bratu Skulpt-a, CRAFT synth-u.....

Numark Mixtrack Platinum DJ controller

Nenad Djordjevic

Nenadmasiv odnos cene i kvaliteta u entry / intermediate klasi. Ako mislite da sam suvise subjektivan, proverite sta kazu ljudi po netu. #1 kontroler u svom rangu apsolutno svugde, a pristupacan apsolutno svima. Svestrane mogucnosti, kapacitivni touch jog wheels kakve u ovom cenovnom rangu verovatno ne mozete ni da zamislite, multi FX kontrole (touch strip super radi, meni licno na VDJ platformi odgovaraju mnogo vise nego klasicni knob-ovi), 100mm super precizni pitch faderi, instant 4 deck kontrole, brzi trigger-happy performance padovi, sve u svemu u jednom paketu bez trzisno planiranih nedostataka i za vynil i za electronica DJ-eve (kucne i pro, bez blama). Jedina mana mu je, po meni, Serato lite bundle, ali izbor softvera je vec licna stvar. Prezadovoljan sam, cak i sa 99$ dodatnim troskovima za VDJ licencu.

KRK Rokit RP5 G3

Jovan Badnjar

Sjajni monitori po najpovoljnijoj ceni u gradu. Prezadovoljan sam kupovinom, odusevila me je sjajna stereo slika i kvalitet visokotonaca na Rokit 5-ici. Bas je utegnut i precizan ide do 45Hz sto nije najbolje moguce ali ne mozete ocekivati od 5" jedinice da pruzi najdublji moguci bas. Ekipa u Audio pro ekstremno prijatna i ljubazna. Sve pohvale!!

Focusrite Scarlett 2i2 Studio (2nd Gen)

milan mladenovic

Audio interface je odlican! Super lako je raditi sa njim! Dobijas uz njega dosta dosta dobrih softwera..... Svaka topla preporuka!!!

Rode NT1-A

Ermin Aljicevic

Odličan mikrofon, jedva čekam da ga kupim kod vas.☺️

Artikl je dodat u korpu

Količina: